Grain Elevators in the Palouse
BLACK AND WHITE PRINT ON HAHNEMUHLE FINE ART BARYTA SATIN (300 gsm · 100% α-cellulose)
This is an open edition print (matte and frame are not included). Each print has a white border. As an example, a 10 x 15 print will be 12 x 17 to accommodate a 1-inch white border.
STORY
In Palouse, Washington, driving is often a necessity. One early morning, as the sun began to rise, its light started to illuminate the distant grain elevators. I pulled over to capture this photograph. I recall the wind was strong, causing the wheat in the foreground to sway briskly.
BLACK AND WHITE PRINT ON HAHNEMUHLE FINE ART BARYTA SATIN (300 gsm · 100% α-cellulose)
This is an open edition print (matte and frame are not included). Each print has a white border. As an example, a 10 x 15 print will be 12 x 17 to accommodate a 1-inch white border.
STORY
In Palouse, Washington, driving is often a necessity. One early morning, as the sun began to rise, its light started to illuminate the distant grain elevators. I pulled over to capture this photograph. I recall the wind was strong, causing the wheat in the foreground to sway briskly.
BLACK AND WHITE PRINT ON HAHNEMUHLE FINE ART BARYTA SATIN (300 gsm · 100% α-cellulose)
This is an open edition print (matte and frame are not included). Each print has a white border. As an example, a 10 x 15 print will be 12 x 17 to accommodate a 1-inch white border.
STORY
In Palouse, Washington, driving is often a necessity. One early morning, as the sun began to rise, its light started to illuminate the distant grain elevators. I pulled over to capture this photograph. I recall the wind was strong, causing the wheat in the foreground to sway briskly.